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Ewer, white with gold luster decoration. On body seated figures separated by polygons. Arabesques on neck.

Ewer (water pitcher), late 12th-early 13th century, before 1220

Iran

G243

Bowl, Seljuk dynasty, light creamy earthenware, covered with a thick coat of opaque white tin enamel. Funnel-shaped, with straight standing rim, slightly ridged on outside where it is decorated with Cufic characters in black. Low raised foot. Inside of rim decorated with conventionalized band of Cufic characters in gold, blue and red. Medallion in center of bowl shows three figures in blue and gold garments; this medallion is surrounded by ten smaller figures, eahc in a separate 'niche', and above this is a row of sixteen still smaller figures. All figures shown with gold nimbus. Mended; has been broken in many pieces. Saveh excavation.

Bowl with Courtly Scene, c. 1180-1220

Iran

G243

Bowl, polychromed. King seated on a throne with two personages; to left and right of throne two angels; two birds below. Eight figures seated around throne.

Bowl Depicting a Seated King with Attendants, c. 1180-1220

Iran

G243

Bowl, overglaze painted ware; mounted ladies

Bowl Depicting Ladies on Horseback, c.1180-1220

Iran

G243

Tile, Sultanabad, pottery, with raised blue inscription on black and white floral background.

Painted tile with Qur’anic inscriptions, likely from a mosque or tomb, one of a pair, late 13th - early 14th century

Iran

G243

saucer base; strap handle; formed spout; blue glaze

Votive Oil Lamp, c. 1200

Iran

G243

Ewer, lobed body, with birds and foliage in low relief, deep blue glaze.

Ewer with bird, vegetal, and calligraphic motifs, 12th century

Iran

G243

Drinking Cup in the form of a Human Figure. Ceramic with traces of luster and pigments.

Molded Vessel in the form of a Mother and Child, c. 1200

Iran

G243

Page from the 'Chahar Magaleh' (Four Discourses also known as 'The Mirror for Princes'. Probably made for Baysonghar, the grandson of Tamarlane. Miniature.

al-Mam’un Proposes Marriage, 1431

Baysunghur school

G243

Page from the 'Shah Nama'; illustration of Alexander the Great (356-323 B.C.) subduing the Africans; depiction of a realistic sixteenth-century Islamic battle

Iskandar (Alexander the Great) Battling the Zangi, c. 1550

Iran

G243

scene from a Shah Namah MS by Firdausi, probably painted in Shiraz of Isfahan; the Khagan sends his brother Tuwurg to pursue Curdiya, sister of Bahram Chubina; Curdiya, clad in her brother's armor, parleys with him before she slays him; Paintings - Album

Gordiya Parleys with Tuwurg, 1341

Hasan ibn Muhammad ibn `Ali ibn Husaini (known as al-Mausili)

G243

Terra cotta plate with conventionalized floral design in very dark brown on white ground. Repaired, but no restoration.

Plate with cruciform and floral decor, 9th century

Iran

G243

Inkstand, turquoise blue glaze. Ornamentation of Cufic inscription. Cover. Earthenware with turquoise blue glaze over molded decor.

Pen Box with ink well, c. 1200

Iran

G243

Bowl, birds and foliage in underglaze blue and black.

Bowl with phoenix motifs, c. 1300

Iran

G243

incised decoration on inner surface with turquoise luster glaze

Dish, c. 1200

Iran

G243

Bowl. Lady on an elephant. Mounted attendants. Polychrome overglaze. Minai type. Earthenware

Bowl Depicting a Lady Riding an Elephant, c. 1180-1220

Iran

G243

Bowl, white earthenware, enamelled in white. Decoration painted in gold luster consists of a hare amid scrolls surrounded by compartments with animals and arabesques.

Bowl with hare and dog motifs, late 12th- early 13th century, before 1220

Iran

G243

Miniature from a Nizami Manuscript depicting a King on a picnic with an animated group of courtiers in vivid costumes. The scene ia a rocky landscape with flowering shrubs and trees whose branches project into the side and top borders. Two small panels of inscription inset at top right and lower left.

A King Picnicking in the Mountains, c. 1560

Iran

Not on View
Aquamanile, turquoise with over-glaze design in black.

Aquamanile (Ram-shaped Ewer), 13th-14th century

Iran

G243

Bowl, Black Painted underglaze

Bowl with “Willow-tendril” motif, c.1200-1220

Iran

G243

Two pages from a manuscript of the 'Shah Nama' (Book of Kings) written by the poet Firdawsi around 1010; illustrations of King Bahram Chubina enthroned (right) and a shah receiving an embassy (left)

Rustam before Kay Kavous, 1341

Hasan ibn Muhammad ibn `Ali ibn Husaini (known as al-Mausili)

G243

Tile, Sultanabad, pottery, raised blue inscription on black and white floral background.

Painted tile with Qur’anic inscriptions, likely from a mosque or tomb, one of a pair, late 13th - early 14th century

Iran

G243

Bowl, narrow-mouthed type for guarding money. Decoration in low relief under the glaze.

Bowl or Money Bank, c. 1200

Iran

G243

Beaked Vessel, c. 1000 BCE

Iran

G243

Aquamanile, relief decoration under lapis lazuli blue glaze. Same as shape .451

Aquamanile (Ram-shaped Ewer), 13th century

Iran

G243

Bowl, shallow; of red earhtenware, glazed and decorated on upper side only; cream-colored ground. Center decoration large burnt umber bird, crudely outlined in brown; green beak ad tail feathers. Border consists of brown dots of uneven size, crudely applied. Low foot. From Amol. Strong resemblance to bowl in Sam Lewisohn Collection, N.Y.C., shown in Illustrated London News, Jan. 10,1931, P.63. Low foot, unglazed.

Bowl with bird motif, 10th century

Iran

G243

light blue with dark blue rim; six black flower-like designs on outside; six additional (more elaborate) black designs inside, separated by dark blue lines with dark blue circle at center; foot and base unglazed; has black box with tan lining

Bowl with ‘Willow Tendril’ designs, c. 1200

Iran

G243

tan, narrow

Vase, c. 1000 BCE

Iran

G243

lamp, blue, iridescent

Lamp, 1600 BCE

Iran

G243

Bowl, lapis blue glaze over a band of incised roundels.

Bowl, c.1200

Iran

G243

Tiled Painting Depicting the Story of Bahram Gur and Fitna from the Book of Kings. Twelve tiles mounted together

Tile painting depicting Bahram Gur and Fitna (“Practice Makes Perfect”), c. 1625-50

Iran

G243

bust-length profile of a man, carved in relief, with curly hair and a curly beard

Relief-carved Fragment from Persepolis, 486-465 BCE

Persian

G241

3 vertical bands (2 tan bands flanking a maroon band) separated by blue, red and white plaid stripe; floral sprays in blue, pink, green, yellow and white in bands

Shawl fragment, 19th century

Iran

Not on View
3 separate textile fragments cut on the diagonal from UL to LR; vertical bands of alternating white and maroon; geometric designs in black, red and blue on white band; floral sprays in white, blue, yellow, green and orange on maroon bands. Woven fabric

Bias Cut Fragments, 19th century

Iran

Not on View
Coat, dark blue broadcloth, embroidered in gold thread. Opens down the front. Unlined. A few moth holes. Wool and metal thread.

Coat, 19th century

Iran

Not on View
Bowl, radial stripes in black under blue glaze.

Bowl, 12th-13th century

Iran

Not on View
Bowl, fluted. Seated figure and foliage in underglaze blue and black underglaze painted.

Bowl, 1300-1399

Iran

Not on View
in the style of Sadi; two drunkards are trying to help one another up

Two Drunkards, c. 1550-1600

Iran

Not on View
dark blue background with supplemental weft in paisley pattern in dark red, pink, off-white and apricot; embroidered inscription of maker at top with Islamic date of 1350 i.e. 1925; used as band to wrap around waist

Shawl, Date Unknown

Iran

Not on View

Untitled (minature painting from a manuscript, indoor scene), 1528

Iran

Not on View

Untitled (minature painting from a manuscript, outdoor scene), 1528

Iran

Not on View
maroon with repeating paisley ikat pattern in green, orange, white, dark blue and medium blue

Ikat panel, 19th century

Iran

Not on View
red and orange floral motif with black accents on light brown background; tan, red, and orange floral border with black background; tan edges

Malayer Rug, early 18th century

Persian

Not on View
orange design on blue ground; fiscia beads throughout; silver colored trim; baluchistan

Man's Hat, 20th century

Iran

Not on View
rug, garden type with cream center field background and seven borders with dark red background; wool on cotton warp, Senna knot

Rug, 20th century

Iran

Not on View
rug, garden type withflowering trees in beige, peach, red, green on a dark blue background; 3 floral borders of which center and widest is predominantly dark blue; wool on cotton warp, Senna knot; wool on cotton warp

Rug, c. 1900

Iran

Not on View
Rhages bowl; with row of camels each of different color across center of inside of bowl; figures, falcons and arabesques above and below; border of conventional forms, possibly derived from inscription. The outside has border of freely drawn inscription in black. The colors are dull blue, red-brown turquoise blue, a lavendar-grey and black.

Bowl, 13th century

Iran

Not on View
One page illus., one text. Painting from Nizami's Haft Paikar, or 'Seven Effigies', a part of the 'Kahmsa' or 'Arintitt'. Illustration of King Bahram Gur visiting the pavillion of the princess of the Black Hall.

Bahram Gur in the Black Palace, 1525-1550

Iran

Not on View
Piran begging forgiveness of Young Kai Khusrau from Afrasiab. From Shah Namah by Firdausi.

Shirin Begging Forgiveness from Khasraw, 14th century

Iran

Not on View
rhyton in shape of animal; terracotta

Rython in shape of animal, c. 1500 BCE

Unknown Persian

Not on View
Bowl, deep funnel-shaped, on high flaring foot, and with inward curving rim. Brownish earthenware. Decorations inside consist of all-over floral designs in brown and white, with white dots on brown ground (typical Sultanabad motif) with splash of bluish green in center, and at one side wave-like design in blue with four blue fish in low relief Cufic characters in blue and brown; body decorated with conventionalized elliptic designs in brown on white. The whole covered with yellow glaze. Broken and mended.

Bowl, 13th century

Iran

Not on View

A King Granting an Audience, 15th century

Iran

Not on View
Bowl, white ground with Cufic writing in black. Saveh excavation.

Bowl, 12th-13th century

Iran

Not on View
First miniature bought. This is one side of a double composition on two leaves. At the opening of the manuscript this page was detached. The other side, which is now missing, probably showed a King or Prince on an informal throne or on a carpet in front of a little pavilion, or under some kind of canopy. This is a very famous composition inaugurated by the celebrated Bihzad in his most famous manuscript, the Bustan of 1488 in the Royal Egyptian Library at Cairo. This shows the fenced-in terrace at the edge of a royal garden, the guard at the gate brandishing a stick against an intruder, and servants either preparing drinks or bringing fruits and other delectables on platters. ' If you look at this Bihzad double miniature ( as Illustrated in L. Binyan, I.V.S. Wilkinson & Gray - Persian Miniatures- Painting Plate LXVIII) you will notice that both the Cairo prototype and your miniature show the fenced- in terrace at the edge of a royal garden, etc. Your miniature shows style of early 17th century. 'Illuminated star on back, inscription probably title or name of King for whom this manuscript written... It is nice to have miniature which is linked to one of greatest Persian painters who was admired from the period in which he lived to the present time.' R.E.

Courtyard Scene, early 17th century

Iran

Not on View
Double frontispiece from a 'Kolliat' manuscript originally written by the Persian poet, Sa'di; decoration consists of a wide floral arabesque framing the central rectangular unit, which is, in turn, divided into three fields by braided and floral bands

Double Frontispiece for the Kolliat, 16th century

Iran

Not on View
bowl, Raay, with two figures and inscription

Bowl, 13th century

Iran

Not on View
shawl, doshalla (long shawl) finely woven of olive green with design of rambling floral sprays and leaves in green, rose, yellow, orange, blue outlined in embroidery stitch; two borders on ends, the wide outer one composed of vari-colored stripes alternating with olive green, all with Mihrab tops enclosing single flowering plants; lined at one end with strip of black cotton, and furnished at one end with brass rings for hanging, fringed ends, narrow border on sides

Shawl, c. 1870

Iran

Not on View
Two pages of text

Page from the Koran, 9th-10th century

Iran

Not on View
Text from Sura 7 from the Koran. Vertical paper with nine lines of gold Neshki with thin black outlines to a page. Vowels and diacritical marks in red, reading marks in blue and black. The text is from Sura 7, starting in the middle of verse 23 and ending on the next page in the middle of verse 30. The gold rosettes indicae the end of a verse and give its unit number. The marginal decoration is the imprint of the decoration on the opposite page, marking the end of the twentieth verse.

Page from the Koran, 13th century

Iran

Not on View
(Perhaps Tabriz School) Shirin greets the prince from the balcony. From the Romance of Khusrau and Shrin, by Nizami.

Prince Khusrau Arriving at Shirin’s Castle, late 15th century

Unknown Persian

Not on View
horizontal page with 4 lines of Persian Kufic writing in black for the consonants and diacritical marks, red for the vowels, green and blue for reading marks (green for wasla, blue for hamza, tashid, sukun); text starts (on the side which has the New York Exhibition label) with Sura 54, middle of verse 27 and goes towards the end of verse 31; the gold discs with the green center mark the end of a single verse, the large marginal half-disc the end of a fifth verse, and the large round discs in the margin the end of the thirtieth verse

Page from the Qur’an, 993

Muhammad ibn Ahmad ibn Yasin

Not on View
Dish, Meshed ware, Safavid Dynasty, early XVII Century. White earthenware with underglaze blue and black decor. Central medallion reserved in white and painted in outline black on a blue ground with stag leaping in foliate landscape within border of scrolling tendrils.

Plate, early 18th century

Iran

Not on View
Bowl, overglaze painted ware; mounted ladies beside pool; polychrome overglaze.

Mina'i ware Bowl, 1200-1299

Iran

Not on View
Pitcher. King on a throne, attendants, horsemen medallion. Top represents a bull's head. Yellowish-green glaze partly iridescent.

Pitcher, late 17th century

Iran

Not on View
Bowl, carved, and pierced design on white ground under transparent glaze.

Bowl, 11th-12th century

Iran

Not on View
Bowl, black. Champleve design under blue glaze.; eight part design of leaf form with cross-hatching between leaf at rim.

Bowl, 12th century

Iran

Not on View
Miniature depicting two youths under a flowering tree. In the background a lavender hill with trees and a shrub with crimson flowers. One branch of the tree projects beyond the margin. Two columns of script below the painting and one passage inset at upper right.

Two Youths under a Flowering Tree, 1450

Iran

Not on View
Bowl, Graffito Ware; incised white glaze with green rim. Earthenware with sgraffito decor under white glaze.

Bowl, 11th-12th century

Iran

Not on View
An illustration from the story of Khusrau and Shirin in one of the books in the famous 'Arintitt, called Kahmsa', by Mizami. Farhad was a stone cutter who fell in love iwth Queen Shirin. The jealous King promised him Shirin if he could master the superhuman task of cutting a road through the mountain of Bisutuw. Farhad set out for his task, first carving the stone portrait of Shirin, so that he might behold her while he worked (which still exists in Persia). In this miniature can be seen Shirin on horseback. Farhad who has just recovered from a fainting spell after having seen her, kneels in front of her, on left side of engraved picture.

Shirin Visiting Farhad, late 15th century

Iran

Not on View
illuminated frontispiece originally comprised the title pages of a copy of the 'Shah Nama' (Book of Kings); central fields written in 'Thuluth' script; white calligraphic headings executed in 'Kufic' script

Frontispiece of the Shah Nama, late 15th century

Iran

Not on View
Bowl, Champleve Cream-colored Glazed Ware

Bowl, 11th-12th century

Iran

Not on View

Page from the Koran, 12th century

Iran

Not on View
Style of Riza Abbasi

The Lovers, c. 1630-1640

Iran

Not on View
The same scene described in Schroeder's Persian Miniatures, pp 51 H, illustrated on pp VIII, Cambridge 1942. Another miniature of the same scene in a famous manuscript in library of Royal Asiatic Society, London, illustrated in J.V.S. Wilkinson's Shah Namah of Firdausi, where is to be found account of whole story. This miniature No. 923 should be dated toward end of 14th century. It is colorful and the figures

Tahmineh Visits Rustam, c. 1440-1445

Iran

Not on View
Miniature, 'The Stag' with inscription and page-long overleaf. Painted shortly after the Mongol invasion, the Chinese influence is strong in the treatment of the clouds above the stags, and in certain details of the flowers. The page is from a dispersed Manafi al-Hayavan (on the uses derived from animals). The painting is the counterpoint to Byzantine painting.

Page from the Manafi al-Hayavan, 14th century

Iran

Not on View
Jar, Black Painted, Blue Glazed

Jar with Inscription, 13th century

Iran

Not on View
'Kufic' script over a rich background of muted arabesques. Parchment, illuminated

Page from the Koran, 12th century

Iran

Not on View
Woman's caftan orange and gold striped flowered brocade; high slit in side to expose trousers.

Woman's Caftan, 19th century

Iran

Not on View
Socket for tent pole, cylindrical with trumpet base; incised decoration of flowers and palmettes; inscription around neck. Candlestick holder, cast brass with bronze inlay.

Candle Holder, 17th century

Iran

Not on View
Woman's Tunic of yellow brocade with all-over floral pattern in different colors. Lined with blue printed cotton. The sleeves are open - being held together under the arm by black tapes - and near the cuff by metal buttons. Metal brocade.

Woman's Tunic, 19th century

Iran

Not on View
Jacket (woman's) of red and gold brocade. Serpentine bands of formalized flowers in gold are woven diagonally across of rich red ground covered with gold leaf-shaped designs. A broad gold braid edges front and bottom of jacket, which has narrow facing of Persian shawl cloth projecting slightly beyond the braid. Lined throughout with a flower print of cotton cloth. The pointed ends of the sleeves are faced with shawl cloth and edged with metal braid of gold, green, red and blue. Jacket fits tightly at the waist and projects sharply over the hips. Underarm seams are left open and slightly cut away. Metal cloth.

Jacket, 18th century

Iran

Not on View
Banded scarf of Polonaise type with stripes of alternating gold and silver and with wide gold border at each end. Two large floral units are placed in each end border panel. Finished all around with a narrow border of running vine and flower design, and with gold fringe at each end. Metal, thread.

Sash, 18th century

Iran

Not on View
Shawl, made up of remounted parts of woolen shawl or curtain. White center with red outer border embroidered in horizontal darn stitch in a design of floral arabesque and cones. Shaped medallion of same design applied to center of field. Inner border of red flowering shrubs. Lining of brick red woolen. The embroidery is very finely done and imitates weaving. Some tears in border. #5 of exhibition. Embroidery.

Shawl, 19th century

Iran

Not on View
Khilim Rug A diagonal pink, flower and foliage pattern filling the center with three borders around the edge.

Khilim Rug, 19th century

Iran

Not on View
Rug, wool Persian, c.1920, kilim type.

Rug, c. 1920

Iran

Not on View
block of text at lower center with trees and birds in borders on sides and bottom; pair of female lions with radiating faces behind their backs and a tree between them; pair of green and orange birds at top; all surrounded by text border

Ketubah (marriage contract), 1879

Iran

Not on View
Red ground; 2 concentric brown and white diamonds at center; bordered on sides with diamonds surrounded by green, yellow and blue bands; flower-like design and zigzag in white at top and bottom; mounted

Velvet panel, c. 1800-1900

Iran

Not on View
Bowl, Lustre Painted Ware; radiating tendrils in brown luster on blue ground. Rayy ware

Bowl, 1100-1299

Iran

Not on View
Jar, pottery, deep blue iridescent glaze, H.9 in. Diam. at lip, 4 in. Large areas lack the blue glaze.

Jar, 13th century

Iran

Not on View
Bowl, black. Champleve design under blue glaze.

Bowl, 12th century

Iran

Not on View
Plate beige ground, light green glaze, scratched geometric designs, H.2-1/8 in., Diam.6-3/4 in. Breaks repaired. Provincial ware from Garrus District. Slip carved ware. Red earthenware covered with white slip carved away to paste. Copper green or brownish glaze. Heraldic eagle.

Bowl, 11th-12th century

Iran

Not on View

Kashan rug, c. 1910

Iran

Not on View
panel, cotton, drawn threads, blue, beige, black, green, and purple embroidery of birds and floral motifs.

Panel, 20th century

Iran

Not on View
low dish coarse buff paste; green glaze inside, coarsely crackled; outside similar glaze flowing toward contracted foot; hole broken in center.

Low Dish, 17th century

Iran

Not on View
Piece of dull blue canvas embroidered all over with cross stitch in dull, red, blue, yellow and black in conventional designs similar to those woven in carpets of the period. Part of a much larger piece. Linen, embroidered.

Panel, 18th century

Iran

Not on View
Banded scarf of polonaise type made with narrow alternating stripes of two patterns and with a wide silver border at the bottom on which are fine flowering trees. Finished all around with a narrow floral border and at each end with added silver fringe.

Sash, 18th century

Iran

Not on View
Saddle bag; Hehbelik. Wool. Embroidered areas at top are decorated with squares, crosses, and triangles of red, green, brown, blue and white wool. Herringbone borders at top of black, brown, and white goat hair. Woven fabric and embroidery.

Saddle bag, c. 1890

Iran

Not on View
Rug, palmette design, fringed, 800-900 knots per square inch. Rare silk warp.

Rug, c. 1875-1900

Iran

Not on View

Cooking in the Open, 16th century

Iran

Not on View
Rug, large, with magenta field on which are naturalistically drawn animals, and variations of the Shah Abbas design. The Shah Abbas pattern is also used in the main border stripe which has an ivory ground. Ends finished with a web doubled under and overcast. Sides have an added selvedge. Thick pile. Senna knot.

Rug, 19th-20th century

Iran

Not on View

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